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Showing posts with label Javier Bardem. Show all posts
Showing posts with label Javier Bardem. Show all posts

Friday, June 6, 2014

The Counselor (2013)



Review-


Even with its compromises and overreaching philosophy, The Counselor is a pretty interesting film. It keeps you involved even when it's falling off the rails.

Michael Fassbender plays The Counselor who intends to make a big buck through a one-off drug trade with a Mexican drug cartel. He works with his friend Reiner and middle-man Westrey. Reiner (Javier Bardem) is playful, trusting and always in the present, reaping the benefits of the seeds he’s sown. He’s heard the worst of the party he’s in business with, but doesn’t seem keen on reconsidering the nature of their relationship. He doesn’t seem too interested in the ifs and coulds. All he knows is that things are fine as they are. Westray (Brad Pitt), on the other hand, is more aware of what he’s gotten himself into. He’s willing to take his chances as long as they come to him. But if things go awry, he has an immediate way out. He’s willing to leave everything behind if he has to. “It’s not that you’re going down. It’s what you’re taking down with you,” he echoes later in the film. The counselor pays heed to both men, who warn him repeatedly, but goes with the plan anyway, telling himself that this is only a one-time deal.

Saturday, November 3, 2012

Skyfall (2012)




Skyfall opens with a silhouette of Daniel Craig. As the actor walks from the shadows and into the light, we see his character slowly take form. He’s suit up and holding a gun. A typical James Bond introduction. Continuing in the Bond tradition is a long chase, this time ending with Bond’s death. Cue in the Skyfall opening theme by Adele. It is, visually, so damn appealing but it also has some dark emotion lurking underneath. Now you know what to expect from the film.

We see that Bond has survived and is living a luxurious life in secrecy. He needs painkillers to cope with a life amiss of purpose and it’s been long since he’s received that shot of adrenaline he’s become a slave to. MI6 is his only way out. His boss, M (Judi Dench), hands him a new assignment. Bond heads to Shanghai, a city that’s inhabited by skyscrapers, decorated in lustre and coloured in neon. The filming locations are great. Not just in Shanghai but throughout the film.

Sunday, February 27, 2011

83rd Academy Award predictions.




Best Picture-
Will win: The King's Speech
Should win: The Social Network
Should've been nominated: The Ghost Writer

Best Director-
Will win: David Fincher- The Social Network
Should win: David Fincher- The Social Network
Should've been nominated: Roman Polanski- The Ghost Writer

Best Actor-
Will win: Colin Firth- The King's Speech
Should win: Javier Bardem- Biutiful
Should've been nominated: Edward Norton- Leaves of grass

Best Actress-
Will win: Natalie Portman- Black Swan
Should win: Natalie Portman- Black Swan
Should've been nominated: Julianne Moore- The Kids Are All Right

Best Supporting Actor-
Will win: Christian Bale- The Fighter
Should win: Christian Bale- The Fighter
Should've been nominated: Edward Norton- Stone

Best Supporting Actress-
Will win: Mellisa Leo- The Fighter
Should win: Mellisa Leo- The Fighter
Should've been nominated: Milla Jovovich- Stone

Best Original Screenplay-
Will win: The King's Speech
Should win: The King's Speech
Should've been nominated: Stone

Best Adapted Screenplay-
Will win: The Social Network
Should win: The Social Network
Should've been nominated: The Ghost Writer

Original Score-
Will win: The Social Network
Should win: The Social Network
Should've been nominated: The Ghost Writer

Original Song-
Will win: Toy Story 3
Should win: Toy Story 3

Cinematography-
Will win: Roger Deakins- True Grit
Should win: Matthew Libatique- Black Swan
Should've been nominated: Anthony Dodd Mantle- 127 hours

Editing-
Will win: The Social Network
Should win: The Social Network
Should've been nominated: Inception

Sound Editing-
Will win: Inception
Should win: Inception

Sound Mixing-
Will win: Inception
Should win: Inception
Should've been nominated: Stone

Visual Effects-
Will win: Inception
Should win: Inception

Art Direction-
Will win: Alice in Wonderland
Should win: Alice in Wonderland
Should've been nominated: The Ghost Writer

I won't be predicting the categories of animated film, foreign film, documentary, costume design and make up because I haven't seen all of the nominees. Even If I did, I wouldn't be sure.

EDIT: Result- 14/16. Didn't expect Inception to win for cinematography and The King's Speech to get more praise than it deserves.

Tuesday, February 15, 2011

Biutiful(2010)

Alejandro Gonzalez Inarritu who has directed three award worthy films in the last decade with Amores Perros, 21 grams and Babel, now delivers his fourth. Just that Biutiful follows a linear storyline could give you the idea that it'd be a notch under its predecessors, however, its narrative stays steady. The main character Uxbal is described as "Devoted father, tormented lover, mystified son, underground businessman, ghost seeker, spiritual sensitive, consumer-goods pirate, guilty conscience and urban survivor." All personified by actor Javier Bardem whose face expresses a multitude of emotions just by the slightest twitch of a muscle. He nails every nuance of the role. What he embodies is more a human being than a character. You're in his state of mind when you're watching Bardem's visceral projection of a man who eventually concedes to the bitter truth that his end is near and it's all over, but still remains someone who's trying to keep everything from going to pieces.

Every minute you're watching the screen, you're not in your seat. You're right there, in the film. You're in the world the Inarritu has created. The film tells you little about Uxbal, nonetheless, he seems familiar. The time capsule of the film comprises just a slice of his life which is penetrated with shrill humanity. Biutiful lives up to its title in every way. The streets of bedraggled tenements in Barcelona are turned pretty by cinematographer Rodrigo Prieto's magic touch. You might be unable to connect the dots after the first watch, but it won't matter. It's the heartfelt journey that counts. If there's something terrific about the film, it is the film itself. When I think back on what was good about the film, I don't know what to put my finger on, although its greatness is one that can be sensed early in the film. Nothing stands out; everything seems to have been channeled through a pipeline. What comes out is something that is experienced with palpable melancholy and leaves you in emotional shambles. You're in for a work out.

Rating- 10/10

Wednesday, February 2, 2011

Mar Adentro - The Sea Within (2004)


A film about a man who narrowly escaped death but survived to be a talking vegetable could’ve moved the audience to pieces. As toneless as the film may be, the quadriplegic is one of the many people in the film, whom we don’t care about let alone empathizing with. He’s treated neither as a survivor or a sufferer. After hiring a hypersensitive lawyer, he hopes to be killed, mercifully. Just as you’re expecting the case to start, the lawyer ends up as a quadriplegic herself. They’re both lust for each other but sadly they can’t have sex. So, they talk about it, visualizing it with their eyes closed. The guy can’t feel a thing, which includes his penis yet he manages to two-time and has multiple (visual) sex partners. Those in the film that aren’t disabled fight with each other, over shaving and bathing him. The acting is terrible except for that of Javier Bardem who does what he can to give the film, well, something; although, his inanimate presence (mostly with a pencil in his mouth) isn’t something you can sit through for two hours. Every scene without him isn’t worth watching and every scene with him is repetitive. A priest comes to convince him that life is worth it and guess what? He’s a quadriplegic too. If there’s anyone you can empathize with, it’s the cameraman who makes it a point to move the camera in every scene. There’re about half as many wheelchairs as people and they’re more interesting to observe. The screenplay is a recorded debate on euthanasia, which reaches a ‘living is a right, not an obligation’ verdict. Two hours of babble to get to this? You won’t get past the first hour. I wholeheartedly agree with the message. This quadriplegic film should’ve gone where it deserved to be- in the waste basket.

Rating- 3/10

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