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Sunday, December 4, 2011

Margin Call (2011)



Margin Call is set at a large investment bank. It begins with a firing squad walking down a long corridor, sending chills up the spines of nearby employees. Yes, people are going to get fired. Head of sales, Sam Rogers (Kevin Spacey) explains “It’s going to get worse before it gets better.” Among the many terminated is Eric Dale (Stanley Tucci), a high ranking employee in risk management. He insists on finishing up with his final report but his boss reminds him that it doesn’t concern him anymore. His protégé, Peter Sullivan (Zachary Quinto) escorts him to the lift where he hands over the responsibility of completing the final report and says “Be careful.” Before Sullivan can react the elevator closes. Later that night, on finishing the report, Peter Sullivan predicts an economic meltdown. Everyone’s going down. “Look at all these people; they don’t have the slightest idea about what’s about to happen,” he remarks.

Disaster lurking around is acknowledged by the angst that you see on all their faces, one at a time, as the news gets passed up the chain of command. This is one of those situations happening and about to happen, where you understand close to nothing but everyone’s genuinely concerned and terrified so you decide to stay and watch. Margin Call’s inspirations are obvious- 12 angry men, Glengarry Glen Ross, Network, Wall Street. You don’t have to understand all the fiscal details to be a part of the ride. The firm intends to sell off its stocks at a significantly lower price to people who’re only later going to find out that they’re worthless. Sam Rogers is more sympathetic than the rest of the brokers. When urged by a superior to go along (“We’re salesman, we only sell”) he protests”You don’t sell anything to anybody unless you think they are going to come back for more.”

Shot under a budget of $3million and in three weeks, Margin Call might not have depth but it is well-crafted and smartly acted. The casting choice is perfect and the characters are etched well. Among the actors, the real star is Jeremy Irons as John Tuld, a menacing predator who swoops down on the venue in a helicopter and makes his mark despite being on screen for considerably lesser time. He is mesmerizing even when he says “Explain it as you would to a little child; or a golden retriever.” His character’s motto in life is “Be first. Be smarter. Or cheat.” But Director J.C.Chandor doesn’t demonize the brokers. They simply choose themselves over everyone else. The material had enough scope to become a hell of a play. Being adapted as a film is as good as it gets. The stifled atmosphere keeps you hooked. That is, before it totally knocks you out.

Rating – 8/10.

9 comments:

  1. A movie filled with crappy anti wall-street punch dialogues. To quote this article you have given examples as below..
    1. "Be careful"
    2. "Look at all these people; they don’t have the slightest idea about what’s about to happen"
    3. "We’re salesman, we only sell"
    4. "Explain it as you would to a little child; or a golden retriever"

    .. and you conveniently forget the scene in the car b/w Paul Bettany and Penn Badgley where Paul's character explains how the bankers have been providing a good time for the people. Probably THE most important line in the movie.. and you missed that?

    "Disaster lurking around is acknowledged by the angst that you see on all their faces, one at a time, as the news gets passed up the chain of command. "- Really? That acting impressed you? Thats the only expression all the actors had throughout the movie

    Again, Jeremy Irons as John Tuld was 'mesmerizing'? Seriously? Why don't you watch Wall Street again

    Comparing Margin Call to 12 Angry Men and Wall Street is the biggest joke ever on this blog

    I reiterate, Rohit Ramachandran, Y U sell out to the masses?

    P.S. Hope it annoys you. (Seriously, Friends With Benefits - 8/10?)

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  2. I'd let that line surprise the viewer.

    That acting impressed me because that was all that was required. I've mentioned, the movie doesn't have depth.

    And you have not seen 12 angry men. Why're you selling out to the critics? Lol.

    And yes, Friends with Benefits gets an 8/10. Sorry if you don't feel that way. But your opinion is invalid since you haven't fully seen both movies- Margin Call and Friends with Benefits.

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  3. "That acting impressed me because that was all that was required" - lets give Mean Girls 9/10 for acting then?

    I haven't seen 12 angry men, but I'm not a critic. You brought it up in the review and I've seen half of it to know that the acting and plot in it is way better than what was present in Margin Call for sure. Unless its all downhill after that, for which I apologise for my lack of knowledge.

    Margin Call and Friends With Benefits I couldn't bear till the end. Do they have twist endings which might make me change my mind?

    ReplyDelete
  4. Go ahead.

    I do agree that 12 Angry Men is way better than Margin Call.

    "Do they have twist endings which might make you change your mind?" From that question, it seems to me that twists can change your entire opinion of the movie. Movies aren't about stories, they're about storytelling. Plot twists only enhance the experience, they don't revive it. And no, they don't have twist endings.

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  5. great review, Rohit. sounds like a good film, may give it a shot, especially since you said "You don’t have to understand all the fiscal details to be a part of the ride"

    ReplyDelete
  6. "He insists on finishing up"*, not
    "He insists to finish up"

    ReplyDelete
  7. blood minor, thanks. Much appreciated.

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  8. Good review. Nice inference on your part that the movie could be made into a play (if it hasn't already).

    The characters were very well defined and the movie was well shot. There was a scene towards the end when Kevin spacey and Zachary met outside for a coffee in the morning of the firesale and they took the elevator up to the building (I think). I really loved the shot. The Elevator was gleaming steel and shining without much color. And these two guys were heading up the elevator with their somber looks. Very aptly shot.

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  9. Fuck! Kolor, I just checked out that scene again. It's two escalators side by side- one going up, the other going down. They both are the only ones going up. No one is on the one going down. I think it's a visual metaphor to choosing themselves over the people.

    ReplyDelete

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